St Stephen’s Church

St Stephen’s Church

Until 1911, a lookout and fire watch lived in a specially furnished dwelling within the tower, high above the rooftops of the city; at some stage, triplets had been born there. Today, St. Stephen’s presents itself as a hall church with a conventional structure of a nave and two aspect aisles whose Gothic vaults have not yet been restored. The walls are completed in white, creating a gorgeous distinction to the red sandstone of the supporting building components. The bottom part of the spacious steeple up to the pointed arch frieze dates in all probability again to Willigis’s church. The dome and lantern were put in place for town’s 2000th anniversary in 1962.

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Tombstones and the coats of arms of the capitular households recall their reminiscence. The coats of arms are enriched by trendy keystones donated by the federal and state governments, the bishopric and metropolis of Mainz. Works of artwork, such as the enthroned God the Father from the 15th century, or the late Gothic sculpture of St. Anne, the Virgin and the Christ Child, also needs to not be ignored. For some years in St. Stephen’s, children have been baptised in the unique Gothic baptismal font from 1330 again. Marc Chagall, who grew to become an honorary citizen of Mainz, but by no means received to know the town, completed his last window shortly earlier than his demise at the age of ninety seven. Nineteen later and intentionally extra modest windows within the side aisles by Charles Marq, from the Atelier Jacques Simon in Reims, serve to guide as much as the masterpieces.

st stephens church

St. Stephen’s is the one German church for which the Jewish artist Marc Chagall ( ) created home windows. Born in Russia, the artists spent the longest period of his life in France. Blue mild shines by way of the stained glass into the interior of St. Stephen’s, and never only angels but different Biblical figures transfer apparently ethereally in this light. Today, the house of God presents itself as a clearly organized corridor church with a nave and two side aisles during which the Gothic vaults have not but been restored. The partitions are completed in white with the red sandstone of the supporting architectural elements forming an attractive distinction.

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